Episode Fourteen: STN, The Railroad Men, and a Porch That Couldn’t Stop Shakin’

Piedmont Porchlight Stories — Mrs. Delphine’s Dixie Boarding House

The letters S T N burned in Mrs. Delphine’s mind like someone had branded them in the air with a red-hot poker.
She held the lantern at arm’s length, eye narrowed, suspicious as a barn cat.

“STN… Station,” she murmured again, just to hear how it sat on the tongue.

Behind her, the porch boards gave a soft, uneasy creeeeak, like even the house was leanin’ forward to hear what she’d say next.

PFU ScanSnap Manager #iX500

“Well,” she said to the empty yard, “if that’s your message, boy, then you’ve picked the right woman to carry it. Ain’t never missed a train nor an appointment in my life.”

But inside, her heart pounded like a misaligned piston.
Because “Station” was too simple.
Too obvious.
And ghosts don’t leave messages obvious enough for a five-year-old to decode.

Something deeper swirled beneath it.

Something the polite ghost hadn’t dared say,
likely because he couldn’t say anything at all.

She set the lantern gently on the porch rail.

“Alright,” she said softly. “What station?”

The lantern flickered.

And somewhere, deep in the cellar, the faint rails hummed.

Meanwhile… the Railroad Men Arrive With Tools They Shouldn’t Have

Naturally, this is the exact moment the railroad men chose to round the corner,
marching toward the boarding house like a posse of overconfident penguins.

Cap’n Leland Potts led them, carrying a crowbar,
which was never a good sign.

Behind him:

  • Virgil lugged a sledgehammer
  • Hank dragged a coil of rope meant for “containment purposes.”
  • Fiddlestick McGraw carried a Bible and a box of Saltines
  • Ellis Pruitt brought a thermos and no understanding of why he was there

When they reached the porch, Mrs. Delphine didn’t even bother greetin’ them.

She crossed her arms and asked,
“Which one of y’all intends to use a crowbar on my supernatural guest?”

Potts cleared his throat.
“Ma’am, we have reason to believe your ghost is preparin’ for an unsanctioned rail departure.”

“What in the Sam Hill is an unsanctioned departure?”

“Means he’s takin’ off without notifyin’ the Seaboard office.”

Virgil added, “Protocol violation.”

Hank nodded solemnly. “Could lead to supernatural derailments.”

Mrs. Delphine stared.
Blinking slow.
Like her eyelids were each expressin’ their own individual disgust.

“Boys,” she said, “if y’all touch that cellar, I’m fixin’ to introduce your heads to each other.”

The men stepped back.

But not far.

The Porch Itself Starts Trembling

Right when she opened her mouth to elaborate, the porch boards gave another tremble;
not violent, but unmistakable.

Hank froze.
Virgil gasped.
Fiddlestick dropped his Saltines.

“GHOST ACTIVITY!” Potts shouted.

“No!” Mrs. Delphine barked.
“This is communication, not activity. Show some sense.”

“Well, ma’am,” Potts muttered, “in our professional opinion…”

“Professional?” she repeated.
“Hush.”

Another tremor rolled up the porch rail.
Gentle, like a train easing into a station.

The lantern glowed bright white.

Mrs. Delphine stepped closer, whisperin’,
“What you tryin’ to show me, child?”

The lantern flickered again:

S
T
N

Now pulsing one letter at a time.

S—pause—T—pause—N.

Hank gulped.
“That’s… that’s a signal.”

Virgil whispered, “A train code?”

Fiddlestick shakily picked up the Bible and said,
“It spells STN… which stands for ‘Station.’ Meanin’…”

Potts cut him off.

“No. No, gentlemen. This is obvious. STN stands for…”

He cleared his throat dramatically.

“Spectral Transit Node.”

Silence.

Then Fiddlestick said, “Sir, I don’t believe that’s a real term.”

Potts ignored him.
“We have a ghost organizing an interdimensional train stop.”

Mrs. Delphine groaned.
“Lord, give me strength.”

The Lantern’s Message Deepens

Then the lantern flickered again,
stronger, brighter,
casting long shadows across the porch and the men’s anxious faces.

The letters reshaped themselves in the glow,
flickerin’ faster:

STN
STN
STN

Mrs. Delphine’s breath caught.

She leaned closer.

“Sugar,” she whispered, “that ain’t standin’ for ‘station.’
That stands for… somethin’ else.

The ghost appeared at the doorway,
silent and solemn,
like a man waiting to be acknowledged.

He tapped his chest,
twice.

Then pointed at the lantern.

Then at himself.

Tap-tap.

STN.

Tap-tap.

Mrs. Delphine’s eyes widened.

“Oh Lord,” she breathed.

Her voice softened, cracked slightly.

“Them ain’t your instructions…”

She looked at the ghost.

“…them’s your initials.

The porch fell silent.

Even the railroad men didn’t dare speak.

The lantern dimmed to a soft blue glow,
like a sigh of relief.
Or sorrow.
Or both.

*****

New Yesterdays can be found at: Books-A-MillionBarnes & Noble, and Amazon, as well as your favorite bookshops. The Audiobook is available from Libro.fm, as well as Amazon.

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About Ol' Big Jim

Jim L. Wright is a storyteller with a lifetime of experiences as colorful as the characters he creates. Born and raised in Piedmont, Alabama, Jim’s connection to the land, history, and people of the region runs deep. His debut novel New Yesterdays is set in his hometown, where he grew up listening to stories of the past—stories that sparked his imagination and curiosity for history. Today, Jim lives in Leeds, Alabama, with his husband Zeek, a tour operator who shares his passion for adventure and discovery. Known affectionately as “Ol’ Big Jim,” he has had a diverse career that includes time as a storekeeper, an embalmer, a hospital orderly, and a medical coder. There are even whispers—unconfirmed, of course—that he once played piano in a house of ill repute. No matter the job, one thing has remained constant: Jim is a teller of tales. His stories—sometimes humorous, sometimes thought-provoking—are often inspired by his unique life experiences. Many of these tales can be found on his popular blog, Ol’ Big Jim, where he continues to share his musings with a loyal readership. Jim’s adventures have taken him far beyond Alabama. For seven years, he lived in Amman, Jordan, the world’s oldest continuously inhabited city. His time there, spent in smoky coffee shops, enjoying a hookah and a cup of tea while scribbling in his ever-present notebook, deeply influenced his worldview and his writing. When Jim isn’t writing, he’s thinking about writing. His stories, whether tall tales from his past or imaginative reimagining is of historical events should read from his past or imaginative reimaginings of historical events, reflect a life lived fully and authentically. With New Yesterdays, Jim brings readers a rich tapestry of history, fantasy, and human connection. Visit his blog at www.olbigjim.com to read more of his stories, or follow him on social media to keep up with his latest musings and projects, one of which is a series that follows Bonita McCauley, an amateur detective who gets into some very sticky situations. His book, New Yesterdays, can be found at Amazon US, Amazon UK, Smashwords, and Barnes and Noble.
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