The Summer the Squirrel Disappeared

An Uncle Toby McCarley Porch Story

Night Twenty-Six: The Voice in the Scrapbook

The twenty-sixth evening arrived beneath a sky crowded with stars. The Porch Club filled slowly. Quietly. The way folks gather when they know the story is approaching something important.

Nobody talked much. Not at first. Even Earl seemed thoughtful. Which several people found concerning.

Uncle Toby emerged carrying his Mason jar. Crossed the porch. Lowered himself into the peacock chair. And sat for a moment without speaking. The crowd waited. Then he nodded.

“All right.” “Let’s talk about the scrapbook.”

And Hughes Street drifted away.

Autumn, 1987. Four years after Clayton Reynolds died. The house had grown quieter. Not empty. Never empty. Maybelline still lived there. Still worked. Still attended church. Still moved through her days. But quieter. Because some silences never entirely leave a house.  

One rainy Saturday afternoon, she climbed into the attic. Not looking for memories. Looking for Christmas decorations.

Back on Hughes Street, Pearl nodded.

“That’s how it always happens.”

“Yes, ma’am, it surely is.”

The old man smiled.

“You go lookin’ for one thing.”

A pause.

“And find somethin’ else.”

In 1987, Maybelline located the decorations. Then noticed an old box. A familiar box. One of the scrapbook boxes. Dust covered the lid. Time covered everything else. She carried it downstairs. Set it on the dining room table, and opened it.

Inside lay decades. Newspaper clippings. Programs. Photographs. Notes. Margins filled with pencil handwriting. Her own handwriting.

A child’s handwriting.

Then a teenager’s.

Then a young woman’s.

Then a grown woman’s.

The years stacked one atop another.

Back on Hughes Street, nobody spoke. Because everybody knew exactly what that felt like.

In 1987, Maybelline turned pages. The uniform fundraiser. The first banquet. The squirrel. The creek rescue. The coat drives. The church suppers. The photographs.

Then she reached a page she hadn’t seen in years. The Jacksonville News clipping. The one that plainly stated: The project was organized by Clayton Reynolds.

And there, in faded pencil, sat the note.

Don’t forget.

The little girl’s handwriting looked fragile now. Almost ghostlike. Maybelline smiled. Touched the page. Then she turned it.

And found something she didn’t remember saving. The crowd on Hughes Street leaned forward. Even Beulah Mae forgot to breathe. The old Toby smiled.

“It wasn’t a clipping.”

“What was it?” asked Earl.

“It was a letter.”

The crowd sat upright.

“A letter?”

The old man nodded. Folded. Yellowed. Tucked between pages. One she’d completely forgotten. The envelope carried her father’s handwriting.

Just seeing it made her stop. Because handwriting is funny. Sometimes it can bring a person back faster than a photograph. Maybelline carefully unfolded the paper. Then read.

The letter wasn’t important. Not really. No great revelations. No hidden secrets. No dramatic confessions. Just a note Clayton had written years earlier while away helping a cousin after a storm.

Ordinary things. The weather. The work. A joke. A reminder to feed the dog. Nothing remarkable. Except one thing.

The old Toby looked out toward the darkness. Toward memories. Toward people long gone. Then softly said: “When she read it…”

“She heard his voice.”

The porch fell silent.

Not a sound.

Because everybody understood. Every single person there understood. The old man continued quietly.

“Not perfectly.”

A pause.

“But enough.”

Another.

“Enough to remember.”

The lanterns flickered. The cicadas sang. Nobody moved.

Back in 1987, Maybelline sat alone at the dining room table. Reading the letter. Then reading it again. Smiling. Crying a little. Laughing once.

And for one afternoon, Clayton Reynolds wasn’t entirely gone.

The old Toby swallowed. Looked down into his tea.

Then said: “That’s when she realized somethin’.”

The crowd waited.

“What?” whispered Pearl.

The old man nodded.

“Memories need help.”

A pause.

“They don’t survive by accident.”

The porch remained still. Then Uncle Toby slowly stood. This time nobody protested. Nobody wanted to. At the screen door he paused.

And said: “Tomorrow night…”

“Maybelline becomes dangerous.”

The crowd blinked.

“What?”

The old man smiled. A sly smile. A knowing smile. And for the first time in several nights, there was mischief in it. Then he disappeared inside. Leaving the Porch Club wondering how the sweetest woman in Piedmont could possibly become dangerous.

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About Ol' Big Jim

Jim L. Wright is a storyteller with a lifetime of experiences as colorful as the characters he creates. Born and raised in Piedmont, Alabama, Jim’s connection to the land, history, and people of the region runs deep. His debut novel New Yesterdays is set in his hometown, where he grew up listening to stories of the past—stories that sparked his imagination and curiosity for history. Today, Jim lives in Leeds, Alabama, with his husband Zeek, a tour operator who shares his passion for adventure and discovery. Known affectionately as “Ol’ Big Jim,” he has had a diverse career that includes time as a storekeeper, an embalmer, a hospital orderly, and a medical coder. There are even whispers—unconfirmed, of course—that he once played piano in a house of ill repute. No matter the job, one thing has remained constant: Jim is a teller of tales. His stories—sometimes humorous, sometimes thought-provoking—are often inspired by his unique life experiences. Many of these tales can be found on his popular blog, Ol’ Big Jim, where he continues to share his musings with a loyal readership. Jim’s adventures have taken him far beyond Alabama. For seven years, he lived in Amman, Jordan, the world’s oldest continuously inhabited city. His time there, spent in smoky coffee shops, enjoying a hookah and a cup of tea while scribbling in his ever-present notebook, deeply influenced his worldview and his writing. When Jim isn’t writing, he’s thinking about writing. His stories, whether tall tales from his past or imaginative reimagining is of historical events should read from his past or imaginative reimaginings of historical events, reflect a life lived fully and authentically. With New Yesterdays, Jim brings readers a rich tapestry of history, fantasy, and human connection. Visit his blog at www.olbigjim.com to read more of his stories, or follow him on social media to keep up with his latest musings and projects, one of which is a series that follows Bonita McCauley, an amateur detective who gets into some very sticky situations. His book, New Yesterdays, can be found at Amazon US, Amazon UK, Smashwords, and Barnes and Noble.
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