The Summer the Squirrel Disappeared

An Uncle Toby McCarley Porch Story

Night Twenty-Two: The Margin Note

The twenty-second evening found Hughes Street packed. Not crowded. Packed. The distinction mattered. Crowded meant inconvenience. Packed meant success.

Uncle Toby emerged from the house carrying sweet tea and looking entirely too pleased with hisself. The crowd noticed immediately. Pearl pointed.

“He’s got that look.”

“What look?” asked Earl.

“The look that means he knows somethin’.”

The old man lowered himself into the peacock chair.

“I do know somethin’.”

The crowd groaned. And Toby grinned.

“Let’s proceed.”

The years slipped backward once again.

Autumn, 1949. The Reynolds kitchen. Late afternoon sunlight. Newspaper clippings spread across the table. Young Maybelline sat with scissors in hand. The Jacksonville News clipping before her. She read the article again. Then once more. Because there it was. Plain as day.

“The project was organized by Clayton Reynolds.”

Not implied. Not hinted. Not suggested. Stated. The little girl smiled. A small smile. A satisfied smile. Then she pasted the clipping into her scrapbook. And beside it she wrote a note in pencil. A tiny note. Barely more than a sentence.

Back on Hughes Street, the crowd leaned forward. Every last one of them.

“What’d she write?”

The old man smiled.

Then he said: “Don’t forget.”

Silence. The crowd blinked.

“That’s it?” asked Earl.

“That’s it.”

The old man nodded.

“Two words.”

A pause.

“Don’t forget.”

The porch sat quiet. Not because it was dramatic. Because it wasn’t. It was the sort of thing a child writes without thinkin’. The sort of thing that means very little on Tuesday. And a whole lot seventy-odd years later.

In 1949, Maybelline closed the scrapbook. Stacked it carefully. And went outside. Life resumed. School. Church. Football. Birthdays. Christmas. The ordinary business of growing up. The scrapbook disappeared into a closet. Then a trunk. Then a shelf. Then another shelf. Years passed.

The note remained. Waiting.

Back on Hughes Street, Toby nodded slowly.

“Most important things spend a long time waitin’.”

Nobody interrupted.

“Trees.”

A pause.

“Friendships.”

Another.

“Regrets.”

The lanterns flickered.

“And promises.”

The crowd sat very still. Because suddenly they weren’t thinking about a scrapbook. They were thinking about Maybelline. And the years stretching ahead of her.

In 1950, another squirrel was awarded. Then another. Then another. Names accumulated. Brass plates multiplied. The tradition grew. And little by little, the town’s memory changed.

Not maliciously. Not intentionally. Just naturally. The way rivers change course. The way stories simplify themselves. The way details disappear.

The old Toby stared toward the darkness. Then quietly said:

“The funny thing about forgettin’… is nobody notices it’s happenin’.”

Nobody moved. Nobody spoke. Then the old man slowly rose. Immediately the crowd protested.

“Tobe.”

“Come on.”

“Not yet.”

The grin returned. The dangerous grin.

At the screen door he paused. Turned. And said:

“Tomorrow night…”

“Clayton Reynolds saves a life.”

The crowd froze.

“What?”

The old man nodded.

“One that never made it onto a squirrel.”

Then the screen door slammed. And the Porch Club sat there trying to figure out how a man could save a life and still end up forgotten.

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About Ol' Big Jim

Jim L. Wright is a storyteller with a lifetime of experiences as colorful as the characters he creates. Born and raised in Piedmont, Alabama, Jim’s connection to the land, history, and people of the region runs deep. His debut novel New Yesterdays is set in his hometown, where he grew up listening to stories of the past—stories that sparked his imagination and curiosity for history. Today, Jim lives in Leeds, Alabama, with his husband Zeek, a tour operator who shares his passion for adventure and discovery. Known affectionately as “Ol’ Big Jim,” he has had a diverse career that includes time as a storekeeper, an embalmer, a hospital orderly, and a medical coder. There are even whispers—unconfirmed, of course—that he once played piano in a house of ill repute. No matter the job, one thing has remained constant: Jim is a teller of tales. His stories—sometimes humorous, sometimes thought-provoking—are often inspired by his unique life experiences. Many of these tales can be found on his popular blog, Ol’ Big Jim, where he continues to share his musings with a loyal readership. Jim’s adventures have taken him far beyond Alabama. For seven years, he lived in Amman, Jordan, the world’s oldest continuously inhabited city. His time there, spent in smoky coffee shops, enjoying a hookah and a cup of tea while scribbling in his ever-present notebook, deeply influenced his worldview and his writing. When Jim isn’t writing, he’s thinking about writing. His stories, whether tall tales from his past or imaginative reimagining is of historical events should read from his past or imaginative reimaginings of historical events, reflect a life lived fully and authentically. With New Yesterdays, Jim brings readers a rich tapestry of history, fantasy, and human connection. Visit his blog at www.olbigjim.com to read more of his stories, or follow him on social media to keep up with his latest musings and projects, one of which is a series that follows Bonita McCauley, an amateur detective who gets into some very sticky situations. His book, New Yesterdays, can be found at Amazon US, Amazon UK, Smashwords, and Barnes and Noble.
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